quatrefoil necklaces with cwr logo1

Many of you who know me well, might have found yourselves asking, “what’s up with the quatrefoil?” in reference to both my floral quatrefoil logo and the little quatrefoil necklace(s) I wear all the time. (I have quatrefoil bedding as well, in case you were curious).

Well, I’m glad you asked. The answer is a long one and is deeply tied into my creative story.

The quatrefoil symbol has been around quite a long time, most traditionally used in ancient church architecture. It is thought to have originated in ancient textile design. Some people think it means luck, like a 4-leaf clover, some say it is a version of the Greek cross and represents the four gospels in the Bible. It really could represent anything in fours – the four seasons, the four cardinal directions on a compass, the four elements, etc. I love the history in all of that, but for me the meaning is a little more complicated.

If I had to give you the shortest answer, I would say that, to me, it means that no matter the season, or the direction I would like to go, God has a plan for my life. I also really love the historical context, that it is tied to my art background, and that it is a version of a flower (I grew up in the country). I also just think it is a really pretty symbol.

Here is the longer story: (warning: lots of text and no pictures)

It’s no secret, if you’ve been around here for a while, that my college years were a rough time for me in many ways. I had health issues and was often sick (undiagnosed Hashimoto’s thyroiditis, hypothyroidism, and gluten intolerance), had extremely low energy (undiagnosed thyroid issues and general lack of sleep), missed my once close-knit family (that was beginning to fall apart), missed the country, and in general having a home and a place that felt settled and safe. Along with that, I struggled with figuring out what to do with my life, what to study, and what path to take to the career I wanted (along with the general stress of tough college courses and a heavy workload).

I’ve always been a creative person and I’ve loved art since I was really little. I would paint with watercolors at my Grandmother’s kitchen table for hours as a pre-schooler. In elementary school, my mom taught me to sew and embroider, knit and crochet. In middle school, I became interested in photography and digital design in Photoshop (it wasn’t until college that I learned Adobe InDesign or Illustrator). In high school, I was on the Publications team creating layout and ads for the yearbook, involved in designing and sewing costumes for school plays and musicals, and organized my school’s Fashion Show every year. But my small town background made me naive to the creative careers possible for me. I thought that the only way to work in the world of art was to be a painter or a photographer– selling your work on the street, at festivals, or online.

So when it came time to go to college, I began majoring in English, with the intention of becoming a teacher, just like my grandparents both were, and just like the majority of people I’d known in my life up to that point. While I enjoyed the way that my English classes made me think, analyze, and find deeper meaning, I didn’t feel like English nor teaching English were my true passions.

It wasn’t until part of the way through my freshman year of college that I heard the term “graphic designer.” I was on a field trip with my TIDES class (a required Tulane course in your choice of subject area to orient you to the unique culture of New Orleans). The TIDES course that I had chosen was called “Design It Yourself NOLA” and we spent our time learning about New Orleans architecture, graffiti culture, Katrina and the geography and history of the city, touring green-build houses, visiting a warehouse of Mardi Gras parade floats and learning how they were made, beading Mardi Gras Indian costumes, and going to Creole Creamery to learn how their ice cream was made. But the most influential stop, to me, was the day we toured a local art gallery and print/publications house. We met with a graphic designer who showed us the digital page layouts for a book she was designing about how to navigate a major city disaster like Katrina. I was amazed. Something that combined my love of art and English into one marketable and needed skill? Sign me up!

I went home and immediately started researching graphic designers. Why hadn’t I ever heard this word before or thought about something like this as a career? I did small graphic design projects for myself already (in Photoshop and Publisher, oy!). The more research I did, the more sure I felt that designing is what I needed to do with my life. The bad part came when I realized that Tulane, the University that I was already attending, didn’t have a graphic design program. I met with my (terrible) guidance counselor (who basically told me I shouldn’t have come to Tulane and should have gone to a trade school). She pointed me towards the art department and they directed me to the printmaking department. But I didn’t want to make books by hand, I wanted to design them digitally.

Through a long string of events, and many stressful nights and long cries, I did sign up for the first class in the string of art courses required for a major — beginning drawing. I was so confused as to what to do with my life, but seeing as I was already in college, I didn’t have a lot of time to figure it out. God was looking down on me though, and blessed me with the most amazing art professor and I was amazed at my progress from beginning to end in Drawing 105. So much so, that I started to wonder if I wasn’t in the right place after all and signed up for the next drawing class, along with a painting class, and an art history class. (and then printmaking, and ceramics, and more painting, and more drawing, etc…)

This story is taking a long time to get to quatrefoils, huh? I told you it was a long story.

I didn’t give up on my graphic design dream. The summer between my freshman and sophomore year of college, I did an internship with a small graphic design and printing company in my hometown. There I learned the very basics of Adobe InDesign and I started to begin familiarizing myself with Adobe Illustrator (but didn’t really get proficient at that until after college). I also became familiar with various printing processes — preparing files for print, screen printing, vinyl cutting, etc. I initially thought that I would like to work in the book/magazine publishing industry designing book or magazine layouts, and I was thrilled that this internship was getting me one step closer to that! However, that same summer, while living back at home, reading my mom’s Country Living magazines, I stumbled across an article on Anna Maria Horner and her career in fabric design. It was another lightbulb moment! I had grown up sewing and collecting fabric, I loved painting and art, but I also loved digital design. Did I really want to design book layouts or did I want to design FABRIC! Fabric, of course! This opened a whole new world of possibilities to me (read more about AMH and that article here).

The next semester at school, I took my first art history class (a beginning survey course) and fell in love with the history of art, particularly the design motifs in ancient church architecture. (SPOILER ALERT: THE QUATREFOIL!) On my class notes I would draw quatrefoils and trefoils, gothic arches, and rose windows. I dreamed of using my art skills and budding design skills to become a fabric designer and design patterns inspired by art history.

Fast forward through more school, more English classes, more art classes, more stress, and low energy. The final project for the first painting course I took at Tulane was two combine two objects — one that represented your past and one that represented your future. I could go into further detail about why I chose what I chose, but in the air of brevity, I’ll just tell you that I picked an antique watering can full of impatiens to represent my past and in the background I painted a turquoise and mint quatrefoil pattern to look like fabric to represent my future (you can see and read more about that painting here).

Fast forward even further — past the rest of my English and art classes, past starting my blog and following the blogs of my favorite designers, past my wedding, past opening a web and graphic design business with my husband, past diagnosis of my thyroid and gluten intolerance — to the summer after college graduation. What am I going to do with my life?! What is my next step? Where do I go from here??? With a degree in English and Studio Art (concentration in Painting) and a plethora of self-taught design skills, there were a lot of ways I could take my career. I (obviously) wanted to be a fabric designer (more largely a surface pattern designer), but I didn’t yet know how to make repeatable patterns or where to even start to get into that industry. I looked into going back to school for textile design, even started touring schools, but that was too expensive with my husband already having so many student loans (and I really wasn’t mentally ready to dive into more school just yet). I started to focus on finding a job within my skill-set to help pay the bills while I spent my free time figuring out how to design patterns and studying the industry. I didn’t know what that job would be, but I prayed and asked God to lead me to wherever I was supposed to go next. The end of that summer, I got a call from the Director of Administration at a church in New Orleans that was looking for a Web and Publications Coordinator. He had seen my resume online and said that with my English, art, and graphic design background, I seemed like the perfect candidate. A week or so later, I started working there, without having even applied for the job. Guess what the church logo is? A quatrefoil. I guess the painting about my future was right, even if it wasn’t in fabric.

After I’d worked at the church for a few months, I came across a little quatrefoil necklace on Etsy (pictured above). The quatrefoil charm was the exact same color of turquoise as the quatrefoil fabric I’d painted in that art class painting. Again, well before I knew it, God knew what would be in my future, even if it wasn’t exactly the way I’d envisioned it. I bought that necklace (actually Drew bought it for me for Christmas that year) and I wore it nearly every day until it started to look a little ragged and I replaced it with a little gold version (I also have a pearl one).

Now I know how to design repeatable patterns and I understand a lot more about how the fabric manufacturing industry works. I’m still working towards that fabric design dream. But to me — the little quatrefoil (and my floral quatrefoil logo) serve as a reminder of my story – that all those parts (that I didn’t understand at the time) had a purpose and were leading me where I needed to go. God will provide. I can make plans (four directions) and want them to happen when I want (four seasons), but God is directing my steps and will lead me where he sees my future. He’ll also lead me through tough times and deliver me from distress (Psalm 23).

On a side note, I designed a more floral quatrefoil for my personal logo, as a way to combine the quatrefoil with a flower, a symbol of my country upbringing and love of nature.

I hope this has fully answered all of your questions about my obsession with quatrefoils. :)

Jeremiah 29:11 – “For I know the plans I have for you,” declares the Lord, “plans to prosper you and not to harm you, plans to give you hope and a future.”

This summer, my niece Ashley asked me if I would design a fabric for her senior Homecoming dress. She wanted a watercolor floral in pinks, purples, and blues.

I started with some quick watercolor sketches from photos I had taken last spring of my birthday peonies and some lilac photos (also from last spring) that my sisters, Blair and Jill, had sent me from their yards. Two of my favorite flowers and they don’t grow in New Orleans!

watercolor sketches1

I scanned them in to my computer, vectorized and re-colored them, then turned them into this pattern:

first watercolor floral pattern swatch1

We both liked it, but thought it needed less leaves and less white space to really pop on the dress. So I played around with a few more variations of it before we finally settled on this pattern:

watercolor floral pattern swatch1

She had envisioned the skirt to be made of light colored tulle, so I wanted to make sure that the pattern on top was bolder and colorful.

dress pattern idea1

Then I ordered the fabric (on Spoonflower):

watercolor floral satin1

I sent it to her and after a drama where it got stuck in the mail for two weeks (and we thought it was lost!), she had it made into the dress and wore it last weekend for Homecoming. I think it turned out wonderfully!

ashley and cooper1

Ashleys dress1

It is so exciting to see my designs on fabric, but even more special to see them worn for a special event. I’m honored to have had a part in your senior year, Ashley!

P.S. Aren’t her and her boyfriend so cute? They remind me of Drew and I when we were in high school. So sweet! Ashley was in elementary school when Drew and I started dating! :)

This past weekend, I had the incredible opportunity to travel to New York City and attend a three-day Fabric Design Workshop led by the amazing designers Heather Ross and Anna Maria Horner. (I’ve mentioned AMH several times on here before, you might remember me meeting her at Quilt Market last year).


Three days of insight into the fabric design and manufacturing industry, peeks into the design process of Heather and Anna Maria, looks at their sketches and fabrics, great conversations, learning a different design process, and exploring the awesome city of New York. Above Anna Maria is showing us an example of her original sketch and then her final pattern (Eucalyptus from Pretty Potent).


Again, another sketch to final pattern example. This one is Small Gathering from Folk Song. I was so happy that she showed this particular example, as this fabric was actually quite influential to my own story. When I was prepping for my freshman dorm room at Tulane, I bought this fabric (in her Good Folks collection in the sea colorway) to make a pillowcase for my bedding. That fabric ended up being the jumping off point for my dorm decor. It was while I was living in that dorm room that I realized I had a passion for design and that I wanted to be a designer. Not long after that that I read an article in Country Living about Anna Maria Horner and saw this sketch on her bulletin board in the photo of the article and realized she was the designer of my pillow fabric. I had always been a collector and lover of fabric, but hadn’t before thought much about the design process or the designers behind them. That article and AMH’s fabrics started my desire to learn more about this elusive industry and made me want to design fabric of my own!



I also love the sweet illustrative style of Heather Ross’s work and I loved getting to learn about her process as well. In the photo above, she is showing the class how to build repeats in Photoshop using one of my designs as an example. Loved seeing the subtle differences in the colors she chose, verses the jewel tones I was originally using.


I really love how the final pattern came out. It is a different style than my other work (much more sketchy and hand-drawn looking), but I really love it! As I said before, the original colors I used were jewel toned, as they usually are, and in Heather’s demo, she changed the colors to these. I loved seeing my work re-colored and in a new light. These aren’t colors that I typically would have chosen, but I love how they work together. It has me looking at colors differently now! Anna Maria also gave several talks about her color theories in her work and I loved hearing her perspective.

From AMH & HR on Instagram:


hrinsta1For this course, we learned how to design pattern repeats in Photoshop. At first I was a little wary of that (I like using Illustrator for pattern design), but in the end, I actually really loved learning this process and the different look it gives the artwork. Although I do really like the flexibility of designing in Illustrator, I might give this Photoshop design thing a try more often! (Photoshop was the first Adobe product I starting using, way back in grade school!)

The class met in the same building as Heather’s studio, on Fulton street in the Financial District in Lower Manhattan. It was only a few blocks from the new Freedom Tower/One World Trade Center, and was an awesome area to get to explore a bit. We walked over to Chinatown one day for soup dumplings for lunch.

I was in class most of the time we were in NYC, but I got the chance to explore a few other places in the evenings. This was my third time visiting NYC, so I didn’t try to squeeze in a lot. I really wanted to make a trip to MoMA, but alas, it wasn’t open late enough for me to make it after class. It was Drew’s first time in NYC and he explored craft beer/coffee/food places during the day while I was in class.








Chinatown, the East River Ferry (we stayed in the Williamsburg area of Brooklyn), Flatiron Building, Times Square, The High Line (so awesome!), Chelsea Flea, ABC Carpet and Home (so amazing! floors and floors of amazing furniture, bedding, awesome rugs, etc…). I’ve had a great time every time I’ve visited NYC, but this time I really fell in love with New York! The weather was amazing, I mastered riding the subway, and I came to appreciate the determined energy about the city and the fact that so much is all at your fingertips. It was a really awesome trip.

I’m so glad Heather and Anna Maria put this class together and I’m so grateful for them opening up their careers to give us advice and insight. I came to New York with a mini portfolio of designs and I left with a different perspective and new direction and ideas for my work. This class made me grateful for my art degree and left me wanting to draw/paint/sketch/block print and in general put a little more art into my design work.


Interested in taking a similar workshop? Heather is hosting another Fabric Design workshop this fall! Details can be found on the workshops page of her website, here. Anna Maria also hosts different workshops at her shop, Craft South, in Nashville. Find more info on her workshops and classes, here.

Ceramics Class

April 30, 2015

My senior year of college, I took a hand-building ceramics class because I was required to take a 3-dimensional art class for my art major. That class made me fall in love with ceramics. Don’t get me wrong, I love painting and I love digital design, but there is something so nice and rewarding about creating a 3D object with your own two hands, whether for art or function. The fact that it can often be functional is also really nice. I only have so much wall space for paintings, but can always use cups, bowls, mugs, vases, and platters (or gift them!).

Anyway, the class I took in college was a hand-building class (not wheel-throwing), so I made several platters, but mostly art pieces instead of functional ones. I made a giant artichoke (you can see it on my living room bookshelves in our house tour, here), a miniature replica of my childhood home, and a few other pieces. Unfortunately, I took the class my senior year and didn’t have a chance to continue into ceramics more than that.

Signing up for another ceramics class has been on my list of things to do for several years and this year I finally made it happen. Well actually, a friend of mine, Christina, who has an extensive ceramics background, made it happen. She wanted to get back into ceramics again and asked if I wanted to join her.

We signed up at a local studio (Earth and Fire Studio) for two hours one night a week, for two months.


During this studio time, I decided to learn how to work on the wheel. It takes a while to get it down, but I’m so happy with the 11 pieces I made in the last couple months!

None of them are perfect (which I kind-of love), but they are all functional! The first pieces I threw are the short, fat ones (that light pink one in the back and the white speckled one in front) and then as I got better I was able to make bigger, thinner, pieces like the mugs and bowls.


Ceramics is such a process. Cutting and wedging the clay, working on the wheel, letting things set-up and get leather-hard, carving, trimming, making and attaching handles, bisque firing, glazing, final firing. I think it is really neat how ceramics relies on all the elements – earth, water, air, and fire.


I’m so glad I took the time to learn this new skill and to spend time with a friend while doing it. I wish I had more time and energy to keep doing it! I’ll be back again sometime!  In the meantime, I’ve been enjoying drinking my morning tea out of a nice ceramic mug I made myself!

Art Studio Inspiration Wall

September 25, 2014

One of the things I learned in art school is that, as a creative professional, it is important to surround yourself with work (specifically by other artists/creative persons) that inspires you. Your work becomes better by looking at other artist’s work and thinking through their processes, studying their compositions, color combinations, flow, brush marks, lines, movement, etc. I love using Pinterest and Instagram to follow and pin work of artists I love, but I find that it is most helpful to have that inspiration close at hand (in physical rather than digital form) in my studio/office space.

When I was in college, I turned an old thrift store ornate frame I had into a inspiration board (see here in my Tulane studio and again here, here, and here in my home studio). I loved having my inspirations close by, but it was a really small surface area and I was constantly having to pick my favorites to put on it. For a while I’ve wanted to build something a little bigger than that, but I just hadn’t decided on what. Should this one be another fabric-covered cork board or should I look into a large piece of metal to make a magnetic one? I was talking through my ideas with Drew one evening and he was all like, “Don’t you have a bunch of washi tape? Why don’t you just tape them to the wall?” Well hello, genius!

desk area 2 color edit1

I had an empty wall in my studio just sitting there waiting for all these beautiful photos!

with lamp color edit1

Washi tape is great for this because it holds the images up nicely, but is also easily removable without damaging any walls. I love that the tape can add a little extra color/pattern to it all as well.

down desk color edit1

My placement got a little crooked but I don’t care. That is the imperfect beauty of it. The only bad part is that the only wall space I had for this was next to my desk area, which is across the room from my painting studio area. I wish I could have these right next to me when I paint, instead of across the room, but this solution is still better than what I had before. Plus, I still have extra space to expand with more inspiration in the future. No more having to pick favorites!

close up color edit1

Aren’t all of these pieces just gorgeous? I have a few paintings and prints by these artists, but I wish I could buy them all!

Since there are so many images, it is too hard to list sources in a clearly labeled and legible way on here, so if you want to know what artist a particular painting on here is by, check out my “art” board on Pinterest, which includes the photos and links to the artists, or comment about which one you are wondering about and I’ll give you the info. They are all fabulous artists so go check out their websites and follow them on Instagram or through their blogs!

What inspires you? What are your favorite artists?

P.S. These inspiration images are for inspiration only! Never copy another artist’s work and make sure you keep track of the artists that you are inspired by to give them proper credit.